Mother of forms

Forms carrying each other, containing one another, thinking themselves safe under the protection of others. 

Photo above: knitted balaclava by Marie Luise Baumschlager 

 

This series is an observation of the dynamics between seemingly unconnected objects. Paying closer attention to the object pairs, it becomes clearer that they refer to one another, alternately taking over, carrying, or filling positions. 

A project on the theme of M(OTHER)ING, realized in collaboration with the Applied Photography and Time-Based Media class led by Prof. Maria Ziegelböck at the University of Applied Arts Vienna. Created as part of Yasmina Haddad's MATCH! #4 course.

The interrelationship between photography, fashion, and casting is examined, with a focus on the relationship between photographer and subject—and vice versa. The mother figure is not meant biologically, but is considered through acts of care: 

m(other)ing is a verb.

mothers mother

fathers mother

friends mother

(you can be the mother of a house)

Are you maternal? Or are you mom? Like, queen?*

 

Photography: Vivienne Aubin

Contributions: 

Simon Hundsbichler  (laptop nestling up to a wall) 

Marcella Ruiz Cruz (the perfectly peeled breakfast egg) <3 

M is for Merlinka

Text: Photos: Pavle Banović

Vjeran Merlinka was the first publicly declared trans person in the former Yugoslavia. After saving a part of her life’s work from being destroyed, I wanted to reflect on her legacy today and the way she lived her life, fearless, self-determined, and beautiful.

Mother

Text: Photos: Oskar Ott

After I photographed my mum for the first time as one of three models in an editorial, I realized how much she enjoyed being taken care of—getting her makeup and hair done, and being dressed up. 

Semisensory

Text: Photos: Ojaswit

Anaesthetised skin and deadened fingertips, veiled eyes, and hollowed figures. Impalpable yet visible, inaudible yet tangible, invisible yet loudsemisensory. This project is a meditation on dissociation and distance, on presence and absence, and on feeling— partially, incompletely.