Mum Mode

On friendship, radical care, and why tenderness can be a political promise

What happens when we no longer understand MOTHERING as a function that shapes identity, but as a LIVED PRACTICE? When we no longer tie it to BIOLOGICAL family, but shift it to where we live—in friendships, QUEER NETWORKS, TEMPORARY ALLIANCES? When it's no longer about who you are, but how you are there for others? 

When I’m with friends – caring for them, paying attention, organizing, noticing – they’ll often joke that I’m in “Mum Mode,” or just call me “Mom.” There’s usually an ironic undertone, but I know to take it as a compliment – because it describes an attitude I like to adopt – without striving for perfection, without expectations. 

 

For me, being mothered means being allowed to take a short break from having to function. To simply being held, without worrying about being too much. 

We often think that this kind of care belongs to family. But at its core, it’s about care – about being there for others, without conditions. About creating a space where we can unlearn the need to function, and where neediness is not a flaw but a form of openness. 

 

In my life, it was often not my parents or relatives who opened up this space, but friends. People who stayed, when i felt low. Who saw what was missing without being told. As we grow older, care seems to shift. We have to learn it anew – learning to give, to receive, to accept, without asking for anything in return. 

 

In queer and feminist contexts, “mothering” has long been rethought as a collective practice–a shared responsibility, a bond that transcends traditional family models. Where classical structures are lacking or failing, supportive networks and temporary alliances emerge. In the end, care is less an inheritance than a choice: a decision to stay, to show up, to hold each other. 

“Mothering” therefore refers less to a role and more to a gesture. An attitude of care. A way of staying with others. A kind of care work defined not by identity, but by action: 

 

“I see you – and I will stay.” 

 

In a society that values performance over relationships and stigmatizes neediness, to be in mum mode is a quiet yet powerful act of resistance. It is not about motherhood in the biological sense, but about a fluid, reciprocal practice of care–one that strengthens friendships, creates new forms of closeness, and resists the demand to perform. 

 

“I’ll stick with you, even if you’re not shining.” 

“I’m here, even when you’re not.” 

 

Those who are held in this way come to know themselves anew. Mothering thus becomes a social imagination – a space of possibility for other forms of togetherness. It’s not the question of who you are that counts, but how you are there—for yourself and for others. A radical practice of closeness in a society that often asks for the opposite. 

It’s not about fixing someone. It’s about being there. Not as a role, but as a repeated gesture. Not perfect, but present. 

Not functional, but reliable. 

 

So when being in mum mode with my friends–this care becomes visible. And political. Because it doesn’t ask whether someone deserves it. 

 

In the end words like: “You’re really like a mom,” or a ironic “Thanks, Mom,” sums up something that’s hard to put into words: 

a form of relationship not based on kinship, but on attentiveness. On the desire to be there for one another. 

 

To be called a mother, after all, is not an insult. It’s a recognition. 

A project on the theme of M(OTHER)ING, realized in collaboration with the Applied Photography and Time-Based Media class led by Prof. Maria Ziegelböck at the University of Applied Arts Vienna. Created as part of Yasmina Haddad's MATCH! #4 course.

The interrelationship between photography, fashion, and casting is examined, with a focus on the relationship between photographer and subject—and vice versa. The mother figure is not meant biologically, but is considered through acts of care: 

m(other)ing is a verb.

mothers mother

fathers mother

friends mother

(you can be the mother of a house)

Are you maternal? Or are you mom? Like, queen?*

 

Jasmin Biber (1995) is a photographer and visual artist currently studying photography and time-based media at the University of Applied Arts Vienna. In her artistic practice, she addresses social issues and creates images that visualize the universal experiences of belonging, identity, and social relationships. She explores questions of social class, transgenerational trauma, and care work—often drawing on personal experiences and biographical moments. Her work understands these issues as collective, structural challenges and invites us to reflect on them as shared experiences.

To my loving and supportive friends, in front of and behind the camera. 

Thanks to Jette D. and Marie R. for their help with the text editing.

Models: Vanessa Z. with Dalmonia R., Lea M. with Hanna, Charlotte L. with Paulina S., Francis with Maria

M is for Merlinka

Text: Photos: Pavle Banović

Vjeran Merlinka was the first publicly declared trans person in the former Yugoslavia. After saving a part of her life’s work from being destroyed, I wanted to reflect on her legacy today and the way she lived her life, fearless, self-determined, and beautiful.

Statements, Icons and Legends

Text: Photos: Amina Ben Hassen & Daniel Wendt 

Olivia, Arsany and Carlos — a portrait of Voguing dancers from the viennese ballroom community

Papa, 2025

Text: Photos: Francis Grill

This work is a portrait of my father and our relationship. The change of his physical condition in the last few years requires us to rethink how we can care for one another. What kind of support is possible now? Which new opportunities might even come up?